EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT
spolupráce s

13. 3. 2020

Keeping viewers engaged throughout a live sporting event on television – which may last up to several hours – often remains a challenge for TV companies. This week’s egtabite features the use of biometric measurement by Eurosport to tackle this challenge – an innovative approach aimed at understanding which moments during these events drive higher engagement and which moments are less engaging for viewers.

The Discovery-owned pan-European television sports network implemented the technology during its coverage of the 2019 Tour de France for the UK market – with the aim of better understanding viewer sentiment and eventually build a benchmark database with best practices for different sports.

What is biometric measurement?

Understanding audience engagement, in general, relies on post-event survey data that feed back into future coverage. This approach, however, demands of viewers a rational response to what is an in-the-moment emotional reaction to what they see in front of them. Biometric research, on the other hand, offers TV companies second-by-second measurement of viewers’ emotional reactions to live sports, which can help influence how they present the content and also inform marketing communications and advertising/sponsor relations.

2019 Tour de France

Eurosport used the coverage of the Tour de France as a pilot project recruiting 75 viewers who reflected the broadcaster’s cycling demographic profile. These viewers each received a palm-held device that measures galvanic skin response: sweat gland activity that reflects the wearer’s emotional state, and heart rate. The device transmits the information via an app for researchers to analyse. The set-up allowed viewing to take place in the participants’ normal TV environment for a two-hour period during a mountain stage of the Tour.

In addition to measuring the emotional engagement with the content on screen, the research also aimed to gather information about other areas, such as short sponsored programmes inserted into the coverage, on-screen graphics, camera angles, commentary, post-race analysis and ad breaks.

In short, such questions as: How many split screens are optimal? Do people understand the on-screen graphics? Does the advertising work? When and what advertising works best? Who are the best commentators?

Results

The highest point of engagement was found to be a descent where the riders reached speeds of up to 70 kph. Forward-facing motorcycle cameras behind the riders gave viewers the sense of being in amongst the peloton. At this point, cameras focused on a rider struggling with a damaged wheel and Eurosport commentators attempt to diagnose the problem. The high engagement in this instance was driven by the sensation of speed, a rider’s perspective, focused commentary and problem-solving. Meanwhile the lowest point of engagement came during a relatively quiet period during an 11km climb, with no attacking moves and commentary of more general nature, waiting for some excitement. Helicopter views of the landscape and riders taking on water appear more frequently – it was a quiet moment in the race.

The research provided interesting insights for advertisers. “While previous research indicates that audiences can lose interest during ad breaks, this research shows us that we can take steps to retain audiences,” Susi Thorimbert, head of research at Eurosport, said. “We were able to look within the ad breaks to understand which ads perform better, and why.” The pilot project revealed the best ways to position ads relative to live sport content, and which ads saw an uptick in engagement among cycling fans. This, says Thorimbert, has provided Eurosport with new benchmarks to aid clients in developing creative executions that resonate with fans.

Next steps

“We will continue to use this type of biometric measurement to build a kind of benchmark database with different sports,” said Thorimbert. As well as cycling, her team has just finished a similar research project based around tennis coverage of the Australian Open in Germany, and during the Tokyo Olympics is planning to measure several different sports.

“For the Olympics, for example, we’re planning to use this technique and measure several moments of the Games with the same respondents. This will allow us to measure separate sports, several locations, different type of commentary, different type of broadcast. We are confident that this biometric research adds significant value for our evaluation of our broadcasts and our future productions and will provide valuable data to our editorial teams so that they can optimise their decision making to increase viewer engagement.”

OTHER CASE STUDIES

RAI PUBBLICITÀ, SHISEIDO, AND DOUGLAS USE TV, BRANDED STORIES, AND SKINCARE SCHOOLS TO EDUCATE CONSUMERS

2. 12. 2024

Context This initiative aims to debunk false myths about beauty and skincare that often spread on social media and disorient consumers. The two brands offered tangible action to help consumers make an informed beauty choice. Shiseido, the Japanese giant brand renowned for its historic skincare and cosmetic know-how and innovation, has partnered with Douglas, a… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

RTL GERMANY’S ADDRESSABLE TV INNOVATION: DYNAMIC CREATIVE ADS FOR REWE GROUP’S INDIVIDUAL REGIONAL RETAILER MARKETING

28. 11. 2024

Context REWE aimed to replace conventional paper brochures with a more sustainable communication method using digital sales channels while retaining the benefits of traditional flyers. They focused on Addressable TV (ATV) as an additional sales channel, complementing the existing digital solutions. The challenge was accurately displaying ads based on location, and showing digital flyers with… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

ESTRELLA AND NETFLIX’S NEW YEAR’S HEIST CAMPAIGN ON ATRESMEDIA

14. 11. 2024

To promote Netflix’s new series Berlin, Estrella teamed up with Atresmedia for an innovative, interactive campaign during Spain’s most-watched TV moment—the New Year’s Eve countdown. The objectives were clear: generate high awareness for Berlin, enhance Estrella’s brand image, and make an impact with a campaign that broke through traditional ad norms. A one-of-a-kind approach In… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

ITV’S GEN AI SOLUTION HELPS BOOST TV ADVERTISING AND SMALL BUSINESS GROWTH

18. 10. 2024

In September 2024, ITV launched an innovative solution aimed at making TV advertising more accessible to small and medium-sized enterprises (SMEs). By leveraging the power of Generative AI (GenAI), ITV is expanding its commercial creative production services to remove the perceived barriers associated with the cost of making ads for TV. This innovation allows new-to-TV… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

TV4 MEDIA MANAGER: A NEW ERA OF SELF-SERVICE ADVERTISING SOLUTIONS

17. 10. 2024

In June 2024, TV4 launched the TV4 Media Manager, a groundbreaking ad booking system designed to simplify the full advertising process for SMEs and small agencies. This new platform consolidates various advertising opportunities into a single, user-friendly interface, allowing advertisers to plan, book, and track their campaigns with unprecedented flexibility. By enabling targeted advertising based on… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

SHIFTING MEDIA CONSUMPTION, MEASUREMENT STANDARDS, MULTIPLATFORM GROWTH AND THE RELATIONSHIP WITH GLOBAL STREAMERS

20. 9. 2024

Laurent Bliaut, Deputy General Director at TF1 Publicité, recently began his tenure as the President of egta, succeeding Walter Zinggl, CEO of IP Austria, to whom we extend our gratitude for his dedicated service. In an interview with our TV Research Manager, Halli Oddsson, Laurent generously shared his thoughts and vision for the near future, discussing the challenges and opportunities… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

SHOP SMART, SHOP GREEN: IP OSTERREICH AND GREEN SHOPPING DAYS COLLABORATION

12. 9. 2024

As consumers grow more aware of the environmental and social consequences of their purchases, businesses are increasingly compelled to respond to these evolving values. Companies recognise that aligning with their audience’s concerns is not just a trend but a crucial strategy for long-term success. To meet the growing demand for sustainable options, IP Österreich, the… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

LEADING IN SUSTAINABILITY: ITV’S CLIMATE TRANSITION AMBITION

12. 9. 2024

While most media leaders acknowledge the climate crisis as one of the defining challenges of our time, taking effective action as a TV company remains a significant hurdle. In a proactive step within the global media industry, ITV has recently published its Climate Transition Plan, setting a new standard for environmental responsibility in media. ITV… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

FTP OFFERS SUBTITLING ON COMMERCIALS DURING THE OLYMPIC AND PARALYMPIC GAMES

18. 7. 2024

FTP: Reinforcing its commitment to social inclusion According to the World Health Organization (WHO), almost 200 million people in the wider European region experience some degree of hearing loss. This is a significant health issue around the globe, and France is no exception, with serious hearing loss affecting nearly 10% of the French population. As… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

CHANNEL 4 INTRODUCES SUBTITLED ADS AND ACCESSIBLE SPONSORSHIP FOR PARIS 2024 PARALYMPICS

18. 7. 2024

The most accessible games yet Channel 4 announced that all advertising on its network during the Paris 2024 Paralympic Games will carry subtitles. This enhances Channel 4’s commitment to making its coverage of the Games the most accessible yet. The commitment builds on the previously announced goal to include subtitles on the broadcast of all… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

DPG MEDIA AND GAIA’S UNITED EFFORT TO FIGHT PUPPY MILLS

20. 6. 2024

Puppy mills, where dogs are bred for profit with little regard for their welfare, remain a troubling issue. To combat this, GAIA, a Belgian non-profit organisation dedicated to animal rights, partnered with Integreate by DPG Media to launch an impactful media campaign. This campaign not only raised significant awareness but also earned prestigious awards, including… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

DRIVING CREATIVITY: VOLKSWAGEN AND CANAL+ BRAND SOLUTIONS’ TIGUAN CAMPAIGN

20. 6. 2024

Tiger + Iguana = Tiguan Showcasing creativity and innovation, CANAL+ BRAND SOLUTIONS and Volkswagen launched an outstanding campaign for the new Tiguan, featuring eye-catching 3D animation. The campaign was executed with the help of Re-mind PHD, its creative department Fuse, the DDB agency, and CANAL+ BRAND SOLUTIONS’ creative entity, CANAL BRAND Factory. The primary aim… Continue reading EGTABITE 293: HOW EUROSPORT IS USING BIOMETRIC RESEARCH TO DEEPEN AUDIENCE MEASUREMENT

ALL CASE STUDIES